R. Gapper postgraduate essay prize

A prize is awarded annually by the Society for French Studies for the best essay submitted by a postgraduate student at a university based in the United Kingdom or the Republic of Ireland. The award includes:

  • a cash prize of £750
  • expenses-paid travel to the next annual conference of the Society for French Studies
  • mention in the French Studies Bulletin and on the Society for French Studies website
Le Portrait parle. Source: Library of Congress
Le Portrait parle. Source: Library of Congress

2023 Recipients

The Society for French Studies is very pleased to announce that the winners of this year’s R. Gapper Postgraduate Essay Prize.

The Society offers its congratulations to both scholars on their achievement. The Society for French Studies gratefully acknowledges the generous support of the R. Gapper Charitable Trust for this prize.

Winner: Hannah Scheitauer

Project 'Cycles of Violence and Fictions of the ‘Grey Zone’ in Jérôme Ferrari’s Où j’ai laissé mon âme (2010)'

Runner up: Margaux Emmanuel

Project ‘Qu’est-ce que peut un corps?’ : Body, Language, and the Problem of Immanence in the Philosophy of Deleuze and Guattari’

How the competition is judged

The competition is judged in two rounds. In the first round every essay is judged anonymously by two appropriately selected members of the Executive Committee of the Society for French Studies who are unaware of the submitting university but who are made aware of relevant contextual information supplied on the coversheet.

The five best essays from that first round then undergo a second round of judging by a panel normally comprising the Society’s President, the Co-ordinator of the R. Gapper Undergraduate Essay Prize, the Co-ordinator of the R. Gapper Postgraduate Essay Prize, the Editor of the French Studies Bulletin, and a member of the editorial team of French Studies.

To avoid conflicts of interest, in both rounds no essay is judged by someone from the same institution as the author of the essay. In the second round, this sometimes requires that one or more substitute judges be selected from the wider Executive Committee to assess all of the five essays.

The prize is awarded for an essay of outstanding merit at postgraduate level and which is also the best essay submitted in its year. The winning essay will be exceptionally distinguished work for that level: critically or theoretically sophisticated, intellectually adventurous, original in its approach and expressed in sophisticated and elegant English or French. It will also be worthy of publication without major revision.

Previous recipients

2022

The Society for French Studies is very pleased to announce that the winner of this year’s R. Gapper Postgraduate Essay Prize is Benoît Loiseau, a doctoral researcher at the University of Edinburgh.

The Society offers its congratulations to Benoît on his achievement, and also to the runner-up for this year’s award.

The R. Gapper Postgraduate Essay Prize consists of an award of £750 together with expenses-paid participation in the Annual Conference of the Society, to be held this year at the University of Newcastle from 26th-28th June 2023.

The Society for French Studies gratefully acknowledges the generous support of the R. Gapper Charitable Trust for this prize.

Winner: Benoît Loiseau

Project ‘Ce livre n’est pas une autofiction’: Paul B. Preciado’s Queer Critique of Psychoanalysis’.
Institution University of Edinburgh

Runner up: Neil Malloy

Project '« Seuls demeurent » : poétique de l’impersonnel chez Duras et Blanchot’
Institution University of Warwick

2021

We are delighted to announce that the winner of this year's R. Gapper Postgraduate Essay Prize is Eleanor Lischka of Oxford University for her essay ' "Ma vision harmonieuse et transparente": sound and the power of language in Proust’s argument against obscurity'. Warmest congratulations to Eleanor!

Winner: Eleanor Lischka

Project "Ma vision harmonieuse et transparente": sound and the power of language in Proust’s argument against obscurity.

2020

Winner: Anton Joseph Bruder

Project ‘Topoi of the Philological Imagination from the Renaissance to the Revolution: Claude Fauchet (1530-1602) and Charles de Pougens (1755-1833)’
Institution University of Cambridge

Runner up: Callista McLaughlin

Project ‘Rhyme and form impact upon meaning even in the most straightforward of troubadour lyrics; in more complex compositions meaning may dissolve under the proliferation of possibilities’
Institution King's College London

2019

Winner: Helen Craske

Project 'Periodicals as Proxénètes: Erotic Complicity in Don Juan (1895-1900)’
Institution Merton College, University of Oxford

2018

Winner: Madeleine Chalmers

Project ‘The Surreal Technics of André Breton and Gilbert Simondon'
Institution University of Oxford

Runner up: Rebecca Sugden

Project 'Sand and Rancière: Artisan Socialism and the Inadequacies of Idealism’
Institution University of Cambridge

2017

Winner: Charlotte Thevenet

Project Réponse du 'Juif' à l'antisémite: Derrida, commentateur de Hegel et Genet'
Institution University College London

Runner up: Liam Lewis

Project Sight, Sound, and the 'Cri' of the Mandrake in the Bestiary by Philippe de Thaon
Institution University of Warwick

Runner up: Rebecca Sugden

Project Malicious Fictions and Secret Histories in Balzac's Une ténébreuse affaire
Institution University of Cambridge

2016

Winner: ​Daisy Gudmunsen

Project ‘On the Representation of Jewishness in Denis Guénoun’s Un Sémite and Jacques Derrida’s Le Monolinguisme de l’autre’​
Institution King’s College London

Runner up: Vittoria Fallanca

Project ‘The Design of the Essais: Montaigne and the language of "dessein"'
Institution University of Oxford

2015

Winner: Blake Gutt

Project ‘An Infestation of Signification: Narrative and Visual Parasitism on the Manuscript Page’​​
Institution King’s College, Cambridge

2014

Winner: ​Matthew Siôn Lampitt

Project ‘On the Use of, and Responses to, Troubadour Lyric in the work of Julia Kristeva’
Institution King’s College London

Runner up: Gillian Ní Cheallaigh

Project ‘Bad Mothers, Mad Sisters and Queer Maternity in the work of Linda Lê’​​
Institution King’s College London

Runner up: Alexandra Tranca

Project ‘From Pompeii to Paris: Ghostly Cityscapes and the Ruins of Modernity in Théophile Gautier and Eugène Atget’​​
Institution University of Cambridge

2013

Winner: ​Sarah Hickmott

Project ‘(En) Corps Sonore’
Institution University of Oxford

Runner up: ​Edmund Birch

Project ‘Maupassant’s Bel-Ami and the Secrets of Actualité’​
Institution University of Cambridge

Runner up: Emma Claussen

Project ‘“Pour cognoistre les Politiques”: A Study of the Term “Politique” in the Dialogue d’entre le Maheustre et le Manant and the Satyre Ménippée’​​
Institution University of Oxford

2012

Winner: Albertine Fox

Project ‘Constructing Voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)'
Institution Royal Holloway

Runner up: ​Emma Claussen

Project ‘Examine Critically Bakhtin’s Idea of Carnival Laughter, and Analyse its Deployment in the Work of Rabelais’​
Institution King’s College London

Runner up: Jessica Stoll

Project ‘Imagining Translation Through the Plastic Arts in the Prose Troy Tradition’​​
Institution King’s College London

2011

Winner: Orlene Denice McMahon

Project ‘Musicalising Moving Photographs: An Analysis of Pierre Barbaud’s Film Score for Agnès Varda’s La Pointe Courte’
Institution University of Cambridge

Runner up: ​Eliana Maestri

Project ‘Orality, Performativity and the Body in Jamaica Kincaid’s Autobiographie de ma mère’​
Institution University of Bath

Runner up: ​Samuel Ferguson

Project ‘Gide’s Paludes: A Diary Novel?’​
Institution University of Oxford

2010

Winner: ​Claire White

Project ‘Dominical Diversions: Jules Laforgue on Sundays'
Institution University of Cambridge

Runner up: ​Natalie Orr

Project ‘The Clerk and the Courtier: Two Different Responses to the Tristan Problem in Chrétien de Troyes’s Cligès and Lancelot'
Institution University of Reading

Runner up: Jessica Stoll

Project ‘Discuss the usefulness of the notion of hybridity for analysis of two Occitan texts.’​​
Institution King's College London

2009

Winner: ​Tanya Raie Filer

Project ‘Skinner in Tandem: Against Methodological “Servitude Volontaire”'
Institution University of Oxford

Runner up: ​Cécile Bishop

Project ‘The Emperor’s Old Clothes: A Reading of Henri Lopes’s Le Pleurer-Rire.’​
Institution King's College London

2008

Winner: ​Kathrin Yacavone

Project ‘Reading through Photography: Roland Barthes’s “Proust et la photographie”'
Institution University of Edinburgh

Runner up: ​Clemence O’Connor

Project ‘Translating Pure Visuality: Heather Dohollau’s Poems on Non-Figuration.’​
Institution University of St Andrews
Contact

Professor Richard Scholar